John Fizer
(1989)., Ingarden's and Mukařovsky's binominal definition of the literary work of art, in B. Dziemidok & P. Mccormick (eds.), On the aesthetics of Roman Ingarden, Dordrecht, Springer, pp. 159-186.
(1981). Transformation of the aesthetically valent text into an historically significant context. Dialectics and Humanism 8 (3), pp. 157-163.
(1976)., Ingarden's phases, Bergson's durée réelle, and William James' stream: Metaphoric variants or mutually exclusive concepts on the theme of time, in A. Tymieniecka (ed.), Ingardeniana, Dordrecht, Reidel, pp. 121-139.
(1975). Ingarden's phases, Bergson's durée réelle, and William James' stream: metaphoric variants or mutually exclusive concepts on the theme of time. Dialectics and Humanism 2 (3), pp. 33-48.
(1975). Some observations on the alleged classicism of socialist realism. Studies in East European Thought 15 (4), pp. 327-337.
(1964). The theory of objective beauty in Soviet aesthetics. Studies in East European Thought 4 (2), pp. 102-113.