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(1998) Continental Philosophy Review 31 (4).
Heidegger and "the way of art"
the empty origin and contemporary abstraction
Véronique Fóti
pp. 337-351
With a focus on the question of visuality in Heidegger's sustained involvement with Daoist and Zen thought, this paper discusses the interchange between Heidegger and Hisamatsu at a 1958 colloquium. In light of the key concerns – visuality, art, and the empty origin of manifestation – it interrogates three texts,"The Origin of the Work of Art,"Parmenides, and"Art and Space,"concerning visuality, the play of the glance, writing, space and place, and the Graeco-Asian though of phainesthai. In conclusion, it addresses the opening for a philosophical consideration of abstract painting that these analyses provide.
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Fóti, V. (1998). Heidegger and "the way of art": the empty origin and contemporary abstraction. Continental Philosophy Review 31 (4), pp. 337-351.
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