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(1996) Ludwig Wittgenstein, Dordrecht, Springer.

Wittgenstein and "the universal language" of painting

Jaakko Hintikka

pp. 345-353

A year ago, we argued that in the later Wittgenstein one has to distinguish primary from secondary language-games when he discusses our language of mental experiences.1 Primary language games establish the basic links between language and our experiences; secondary ones build on them and at the same time modify them. It is only by means of secondary language-games that we bring such notions as knowledge, certainty, evidence, and justification to bear on our talk about mental experiences, for instance sensations.

Publication details

DOI: 10.1007/978-1-4020-4109-9_16

Full citation:

Hintikka, J. (1996). Wittgenstein and "the universal language" of painting, in Ludwig Wittgenstein, Dordrecht, Springer, pp. 345-353.