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The essays in this book respond to Anna-Teresa Tymieniecka’s recent call to explore the relationship between the evolution of the universe and the process of self-individuation in the ontopoietic unfolding of life. The essays approach the sensory manifold in a number of ways. They show that theories of modern science become a strategy for the phenomenological study of works of art, and vice versa. Works of phenomenology and of the arts examine how individual spontaneity connects with the design(s) ofthe logos – of the whole and of the particulars – while the design(s) rest not on some human concept, but on life itself. Life’s pliable matrices allow us to consider the expansiveness of contemporary science, and to help create a contemporary phenomenological sense of cosmos.
Publication details
DOI: 10.1007/978-3-319-21792-5
Full citation:
Tymieniecka, A.-T. , Trutty-Coohill, P. (eds) (2016). The cosmos and the creative imagination, Springer, Dordrecht.
Table of Contents
Carbone Guelfo
265-274
Rivas López Victor Gerald
361-379
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