From signor Contino to Falstaff

operatic connotations in Beethoven's early variations

Steven Moore Whiting

pp. 147-163

Publication details

DOI: 10.5840/ajs1996131/47

Full citation:

Moore Whiting, S. (1996). From signor Contino to Falstaff: operatic connotations in Beethoven's early variations. The American Journal of Semiotics 13 (1-4), pp. 147-163.

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